Saturday, June 26, 2010

Preview Night Friday 25th June

I'm so tired after last night and the constant work over the past three and half weeks, but it was worth if so far. The space looked amazing last night. Thanks to the objects people have donated to me to work with.


A Big Thank you to Sabrina from East Finchly for help with the photography.

After Dark Installations with Found Objects


 
 
 



 

I've got to get back, I have to re-open in half an hour for the Sat. afternoon viewing......

Thursday, June 3, 2010

Creativity Weekend: 25th - 27th June. Day: 2 - 5pm Evening 7 - 10pm

The Creativity Manifesto Through a Social Process of Art
Humbly Offers
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"A Creative Community Micro-Event."

@STUDIO SEVEN

"Studio 7 is an Interactive Living-Art Installation made from found objects and Recycled items"

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 Featuring
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Recycled Art Exhibition  (Bring items to experiment with or objects to display if you want)

Music, Refreshments. (bring whatever you can to contribute and p-art-icipate in this evolving SOCIAL PROCESS of ART).

ADDRESS: Studio 7, 2nd Floor, Lime Lodge, Montalt Rd, Woodford Green, IG8 9RX.

Directions: Tube Central Line, 15 min walk from Woodford Green Tube. Bus 275 from Walthamstow Central to Mill Lane (15 mins), 2 min walk.
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The Invitation
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White Tile, Feather, Calligraphy Ink, Candle Holder.
This is what I refer to as Creative Zen, I always wonder what future use I can make of each single object I find that has had a previous life with someone in the Community. Days, months or even years later, the single perfect opportunity arises that brings several objects together for a single social art use.  The feather I found a few days ago, the ink two years ago, waiting to be used, and the candle holder a few months ago.  So I will write a few hand written invites with this collection of items.  Which means they are no longer separate objects discarded by life and nature; they have been recycled into a new living art process of creativity and community.


I have three weeks to do something with this, what would you do?  This is the largest and most impressive frame I've ever found.  For the first few days I felt intimidated just looking at it! I've never painted anything this large before, but somehow following my own process of creative Zen, I feel ready for it. The right frame at the right time, I walked past it for a month wondering whether it was too much for me, but then a strange coincidence happened which decided it for me. I guess I'm now in the right frame of mind.  Although, it's  It's taken me almost a week to decide where to hang it, let alone anything else.  Let's leave it for a while, and begin the real work.....
















First Night After Dark Installations With Found Objects



Science and Art (Note on a wall: June 2010)

Scientists are like artists, and who in their right mind would think of locking up a bunch of creative minds in a University, or an institution?
(James Lovelock:Gaia Theory)

Tuesday, May 25, 2010

Definition and Explanation of Creativity

"Being, is living creatively"

(Gilles Deleuze)


WHAT IS CREATIVITY?
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Creativity is the ablility to bring something new into existence.  It shows itself in the acts of people. through the creative process taking place in a person or group of persons, creative products are born.  Such products may be quite diverse:  mechanical inventions, new chemical processes, new solutions or new statements of problems in mathematics and science; the composition of a piece of music, or a poem, story or novel; the making of new forms of in painting, sculpture or photography; the forming of a new religion or philosophical system; an innovation in law, a general change in manners, a fresh way of thinking about and solving problems; new medical agents and techniques; even new ways of persuasion and of controlling the minds of others.

Implicit in this diversity is a common core of charisteristic that mark creative products, processes and persons. Creative products are distingusihed be their originality, their aptness, their validity, their usefulness, and very often by a subtle additional property which we may call the "Aesthetic Fit".

For such products we use words such as fresh, novel, ingenious, clever, unusual, divergent.  The ingredients of the creative process are related functionally to the creative forms being produced: seeing things in a new way, making connections, taking risks, being alerted to chance and the opportunities present by the contradictions and complexities, recognizing familiar patterns in the unfamiliar so that new patterns may be formed by transforming old ones, being alert to the contingencies which may arise from such transformations.

In creative people, regardless of their age, sex, ethnic background, nationality or way of life, we find certain personality traits recurring: an ability to think metaphorically or analogically as well as logically, independence of judgement (sometimes manifesting itself as unconventionality, rebellion, revolutionary thinking and acting),a rejection of an insufficent simplicity (or a tendency to premature closure) in favour for a  more complex and satisfying new order or synthesis.

A certain naivete or innocence of vision must be combined with stringent requirements set by judgment and experience.  The act of the verification is a final stage in the creative process, preceded by immersion in the problem, incubation of the process subliminally, and illumination or new vision.


The Birth of Creativity
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The creative aspects of Mind and of Will engaged the attention of the major philsophers-psychologist of the late ninteenth and early twentieth centuries.  Alfred Binet, the famed constructor of intelligence tests, was known first through the pages of L'Annee Psychologique in the 1880's and 1890's as the author of widely ranging emprical studies of creativity (including research by questionnaire and interview of leading French writers) and the originator of dozens of tests of imagination (devised first as games to play with his own children).

The fateful decision to exclude such occasions for imaginative play from his compendium of tasks prototypical of needed scholastic aptitudes has led to much mischief in educational appllication and to continuing confusion about the relationship of intelligence to creativity.  The former as generally measured is important to certain aspects of the latter, but people of equal intelligence have been found to vary widely in creativity; and, alas, some notbaly creative persons have also been found notably lacking in whatevert it takes to get on successfully in school.

Of  the two most famous psychoanalysts, Carl Jung made a greater contribtuion than Freud in this field, developing especially the notions of Intuition and of the Collective Unconscious as the sources of creation.  Henri Bergson (1911 [1907], in Creative Evolution, distinguished intuition from intellect as the main vechicle of the creative proces in-mind-general and in what, in retrospect, is more than mere vitalism he attributedwill as elan vital, the chief motivating force of the creative process in nature. Nearly a century after Bergson's initial formulations, Gregory Bateson (1979) was writing in that same tradition, and his gradueal developments of an "Ecology of Mind"  found expression in his Mind and Nature: A Necessity Unity.

 

Thursday, May 20, 2010

Eureka (1999) Clarity Out of Chaos (2009)


 

Mind Map No.1 (Black, Green, Red Marker Pens, White Emulsion, Mixed Media On Found Board 1999)


Mind Map No.2 (Black Green, Red Marker Pens, White Emulsion, On Found Board, 2009)

Monday, May 17, 2010

Marks Upon a Beach By David & Joanne (Cornwall 2008)


The creative process is one of humankind's great unfathomable mysteries.  The experience captured in the photograph above is one of my own classic examples:

I had no thought except to write a title in the sand to make my mind feel more certain and solid about my future creative intentions. Somehow I thought that if I wrote it in the sand it would be a statement to myself that such a manifesto would somehow come into being.  As I was enjoying the process, my thoughts were drawn to the Normandy beach landings in World War II, and how symbolic beaches seem to be considering that in the UK, we live on an Island.  I could not help but think of all those thousands of lives lost on the Beaches of France in WW II in the fight for freedom.  How could scenes of such natural beauty become killing grounds of such base destruction of human life?

I knew that in an hour or so the tide would rise and the sea would erase anything I wrote in the sand.  It was just a temporary mark soon to be washed away.  As I came to dot the two letter I's in "creativity", I had a beautiful inner feeling that two hearts were more appropriate. Then as I went to dot the third "I" in th word manifesto which had been written by Joanne, a friend of mine who had invited me down to Cornwall; I realised I would not be able to, as there was already a large rock there embedded upon the beach in the exact spot above the third "I".  It was by pure chance she had written the word manifesto there, as it was where I had written the word "creativity".  But somehow, in my mind the rock was symbolic of something I couldn't quite grasp at that moment.  All I knew and felt, was that somehow it seemed perfectly appropriate the rock was there, and would remain there long after the words and we two people had gone.

We finished  the beach markings and looked over the words; but again, for some reason, I felt an intuitive sense that it was not quite complete. A few minutes passed in this relaxed state of this feeling, and then gradually I felt a slow warm glow within myself, an almost strange mental and physical sensation that somehow led me to mark the symbol of Yin and Yang inside the final letter "O". 
It was at this moment that Joanne who had clambered up the rocks behind the beach to get a view from above took this photo, one of series she took as she documented our collaborative creative process.  I had never written the words on a beach before, and never in this way with these spontaneous additions, even though I have written down this idea probably hundreds of times before.  Somehow, in that moment,  I felt that for a few fleeting moments, everything made absolute perfect sense. 

Two years later, as I post this on the internet now, I realise that the two hearts could represent myself and Joanne, and the Yin Yang could represent both our masculinity and feminity. Or maybe it's an collective unconscious representation of all of us.

Why and how the creative process in humanity occurs is a mystery, I just know that it makes me feel really alive, in tune with my-self, nature and the Universe. Every single human being is creative, humanity has always been creative since the beginning of our evolutionary (creative) process, being-creative is what we are.


(A Grain of Sand is Connected To The Whole Universe (Zen Philosophy)

Friday, May 14, 2010

The Creative Process in Nature

                                           
                                             "It's not often one can improve upon nature"  

(James Lovelock: Independent Scientist/Inventor, Author of Gaia Theory on BBC TVseries, "Beautiful Minds")

Cells are the simplest form of self-contained, self-sustaining life.  Everything that we consider to be "alive" is made up of living cells.  In "Society and Solitude" (1912) Ralph Waldo Emerson wrote:

 "all art should to nature for its inspiration, true art resides in the model, in the plan, for it is upon this that the genius of the artist is expended."